1€ d'économie sur les éditeurs français ! Réduction automatique de 4€ sur livraison dès 5 articles !

Gregg Araki's Teen Apocalypse Trilogy 4K - front cover

Gregg Araki's Teen Apocalypse Trilogy 4K

Écrire une critique
Prix normal
€89,00
€89,00
Prix normal
Épuisé
Prix unitaire
par 
Taxes incluses.

Gregg Araki's Teen Apocalypse Trilogy 4K (1993-1997)
de Gregg Araki

Criterion - 25 septembre 2024

Titre Original
Audio
: English: DTS-HD Master Audio 2.0 (48kHz, 24-bit)
Sous-titres : English SDH
Durée : 4h04
Format : 4K Ultra HD + Blu-ray - 3 films / import US
Zone : 4K Blu-ray: Region free
2K Blu-ray: Region A
Genre : Romance, SF, Comédie

Synopsis
Totally F***ed Up on standard BD | The Doom Generation / Nowhere

Contenu et Bonus
  • New 2K digital restoration of Totally F***ed Up and new 4K digital restorations of The Doom Generation and Nowhere, supervised and approved by director Gregg Araki, with 5.1 surround DTS-HD Master Audio soundtracks
  • In the 4K UHD edition: One 4K UHD disc of The Doom Generation and Nowhere and two Blu-rays with all three films and the special features
  • New conversation between director Gregg Araki and filmmaker Richard Linklater
  • New audio commentary on Nowhere with Araki and actors James Duval, Rachel True, Nathan Bexton, Jordan Ladd, Sarah Lassez, Guillermo Diaz, and Jaason Simmons
  • Audio commentary on Totally F***ed Up with Araki, Duval, and actor Gilbert Luna
  • Audio commentary on The Doom Generation with Araki, Duval, and actors Rose McGowan and Johnathon Schaech
  • New documentary on the trilogy’s visual style featuring Araki, Duval, producer Andrea Sperling, cinematographer Jim Fealy, costume designers Cathy Cooper and SaraJane Slotnick, production designer Patti Podesta, art director Michael Krantz, and hair and makeup artist Jason Rail
  • James Duval’s Teen Apocalypse Archive, a new conversation between Araki and Duval
  • Q&As with Araki, moderated by filmmakers Gus Van Sant and Andrew Ahn
  • The Doom Generation video comic book
  • Trailers
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by critic Nathan Lee