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Some Like It Hot 4K - front cover

Some Like It Hot 4K

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Some Like It Hot 4K (1959)
de Billy Wilder

Criterion - 10 avril 2025

Titre Original : 
Audio : English: LPCM Mono (48kHz, 24-bit)
English: DTS-HD Master Audio 5.1 (48kHz, 24-bit)
Sous-titres : English SDH
Durée : 2h01
Format : 4K Ultra HD + Blu-ray / import US
Zone : 4K Blu-ray: Region free
2K Blu-ray: Region A
Genre : Romance, Comédie, Musical

Synopsis
Two down on their luck jazz musicians find themselves on the run after the police raid the speakeasy they perform in. With nowhere to hide, a gig with Sweet Sue and her Society Syncopators at a beach resort seems like the perfect getaway. There's just one problem: the Syncopators are an all-female band, and Joe and Jerry aren't women — yet. Armed with some dodgy wigs and wobbly falsettos, they manage to join the Syncopators and meet Sugar Kane: a hooch-swilling, ukulele-playing knockout with a soft spot for saxophone players. Things start to go off the rails when they begin to attract unwanted attention from lecherous millionaires and some familiar faces show up at their hotel for a gathering of the country's most dangerous criminals.

Contenu et Bonus
  • 4K digital restoration, with uncompressed monaural soundtrack
  • Alternate 5.1 surround DTS-HD Master Audio soundtrack
  • One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features
  • Audio commentary from 1989 featuring film scholar Howard Suber
  • Program on Orry-Kelly’s costumes for the film, featuring costume designer and historian Deborah Nadoolman Landis and costume historian and archivist Larry McQueen
  • Three behind-the-scenes documentaries
  • Appearances by director Billy Wilder on The Dick Cavett Show from 1982
  • Conversation from 2001 between actor Tony Curtis and film critic Leonard Maltin
  • French television interview from 1988 with actor Jack Lemmon
  • Radio interview from 1955 with actor Marilyn Monroe
  • Trailer
  • English subtitles for the deaf and hard of hearing
  • PLUS: An essay by author Sam Wasson

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