{"product_id":"the-sacred-the-cursed-the-joko-anwar-collection-4-films","title":"The Sacred \u0026 The Cursed: The Joko Anwar Collection (4 films)","description":"\u003cp\u003e\u003cstrong\u003eThe Sacred \u0026amp; The Cursed: The Joko Anwar Collection (4 films)\u003c\/strong\u003e (2007-2022)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003ede Joko Anwar\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eSeverin Films - \u003cstrong\u003e24 novembre 2026\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e:\u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eIndonesian 5.1, Indonesian Stereo\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e :\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e :\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : \u003cspan\u003eBlu-ray\u003c\/span\u003e \/ import US \u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e :\u003cspan\u003e Toutes zones\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Horreur, Thriller\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003e\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDisc 1: SATAN’S SLAVES (2017)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFor his 2017 breakthrough,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJoko Anwar\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003etook the 1980 classic by Sisworo Gautama Putra and reinvented its themes of supernatural folklore to deliver an “extraordinary” (\u003cspan class=\"s2\"\u003e\u003ci\u003eMalevolent Dark\u003c\/i\u003e), “take-no-prisoners” (\u003ci\u003eSlash Film\u003c\/i\u003e), “deliciously creepy spectacle oozing with Satanic inspiration” (\u003ci\u003eDread Central\u003c\/i\u003e\u003c\/span\u003e)\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan class=\"s2\"\u003ethat shattered box-office records\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003eand single-handedly launched The New Golden Age of Indonesian Horror: When the matriarch of a struggling family dies after a mysterious illness, it will unlock a slow-burning nightmare of ancestral superstition, occult carnage a\u003cspan class=\"s2\"\u003end several of the most “gloriously crafted scares” (\u003ci\u003eWarped Perspective\u003c\/i\u003e) in modern horror history.\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eTara Basro\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(IMPETIGORE) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBront Palarae\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(GHOST IN THE CELL) star in “one of the best remakes of the last decade” (\u003ci\u003eHorror News\u003c\/i\u003e) and “a nerve-jangling good time where the mayhem hardly lets up” (\u003ci\u003eDaily Dead\u003c\/i\u003e), now\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cspan class=\"s2\"\u003epresented from\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003ea master approved by the writer\/director with over 2 hours of Special Features\u003c\/b\u003e.\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eThe Mother, Spirituality And World Music\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actress Ayu Laksmi\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of SATAN'S SLAVES\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Gope T. Samtani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDeleted Scenes\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 106 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo, English 5.1, English Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English, English SDH\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eRegion A\/B\/C\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 2: SATAN’S SLAVES 2: COMMUNION (2022)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFive years after SATAN’S SLAVES broke box-office records and forever redefined Indonesian horror, \u003cb\u003eJoko Anwar\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ecrafted his follow-up hailed as “truly disturbing” (\u003ci\u003eGizmodo\u003c\/i\u003e), “darker and more macabre than before” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e) and “one of the few sequels that totally surpasses the original” (\u003ci\u003eNerdly\u003c\/i\u003e): Having barely escaped their rural Satanic nightmare, the Suwono family now lives in a decrepit Jakarta apartment building that seethes with urban dread, grisly secrets and demonic havoc where the damned find no solace, evil demands its harvest and “\u003cspan class=\"s2\"\u003eevery scene is punctuated with horrific visions that you can’t unsee” (\u003ci\u003eThe Scariest Things\u003c\/i\u003e)\u003ci\u003e.\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eSATAN’S SLAVES stars\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/span\u003e\u003cb\u003eTara Basro\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEndy Arfian\u003c\/b\u003e,\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eNasar Anuz, Bront Palarae\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEgi Fedly\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAyu Laksmi\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ereturn for “\u003cspan class=\"s2\"\u003ea wickedly malevolent slice of Indonesian horror that’s right on in its razor-toothed execution” (\u003ci\u003eSlash Film\u003c\/i\u003e),\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003enow\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003epresented\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cb\u003efrom a master approved by the writer\/director with 3 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of SATAN'S SLAVES 2\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Sunil G. Samtani\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES 2 By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of SATAN'S SLAVES 2 By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eArchival Making-Of Featurette\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRuntime: 119 mins\u003c\/li\u003e\n\u003cli\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli\u003eSubtitles: English\u003c\/li\u003e\n\u003cli\u003eRegion A\/B\/C\u003c\/li\u003e\n\u003cli\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 3: IMPETIGORE (2019)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eFollowing SATAN’S SLAVES, his HBO Asia series\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eFolklore\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eand the superhero blockbuster GUNDALA,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJoko Anwar\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ereturned to horror with this “relentlessly frightening” (\u003ci\u003eCreepy Kingdom\u003c\/i\u003e) love letter to the genre that premiered at the 2020 Sundance Film Festival and remains “\u003cspan class=\"s2\"\u003ea gruesome descent into madness that will leave your skin crawling” (\u003ci\u003eDaily Dead\u003c\/i\u003e)\u003ci\u003e:\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eWhen a cynical young city woman travels to her remote ancestral village in search of an inheritance, she’ll instead unleash a legacy of dark tragedy, grim butchery and a grotesque family curse “\u003c\/span\u003e\u003cspan class=\"s5\"\u003edripping with otherworldly weirdness” (\u003ci\u003eWhen It Was Cool\u003c\/i\u003e)\u003c\/span\u003e\u003cspan class=\"s2\"\u003e.\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003cb\u003eTara Basro\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(SATAN’S SLAVES 1 \u0026amp; 2),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eArio Bayu\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE QUEEN OF BLACK MAGIC) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMarissa Anita\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(\u003ci\u003eNightmares and Daydreams\u003c\/i\u003e) star in the modern shock classic where “\u003cspan class=\"s2\"\u003eAnwar goes for broke in terms of gonzo bloodshed, over-the-top reveals and a ballsy approach to shattering cinematic taboos” (\u003ci\u003eBloody Disgusting\u003c\/i\u003e)\u003c\/span\u003e,\u003cb\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/b\u003e\u003cb\u003enow presented from a master approved by the writer\/director\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eWriter\/Director Joko Anwar On IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003e\u003ci\u003eIMPETIGORE And Beyond\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e– Interview With Actress Christine Hakim\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eBehind The Scenes Of IMPETIGORE And The SATAN'S SLAVES Films With Actress Asmara Abigail\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eBehind The Scenes Of IMPETIGORE With Actress Faradina Mufti\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of IMPETIGORE\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Shanty Harmayn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of IMPETIGORE By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of IMPETIGORE By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eCamera Tests\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTV Spot\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli class=\"p10\"\u003eRuntime: 107 mins\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAudio: Indonesian 5.1, Indonesian Stereo\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eSubtitles: English\u003c\/li\u003e\n\u003cli class=\"p10\"\u003e\u003cspan class=\"s6\"\u003eRegion: A\/B\/C\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"p10\"\u003eAspect Ratio: 2.35:1\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 4: DEAD TIME (2007)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eWith only his second film as writer\/director,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJoko Anwar\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003ecaptured international acclaim, rewrote the rules of Indonesian cinema and launched his global career via the “disturbing and absolutely magnificent noir-horror that was a great prelude of what was about to follow” (\u003ci\u003eAsian Movie Pulse\u003c\/i\u003e): In a city sweltering with violence and despair, a jaded cop and a desperate reporter investigate a series of brutal killings that will trap them in a web of superstition, corruption, ghoulish creatures and “the best political thriller since the heyday of Alan Pakula” (\u003ci\u003eSight and Sound\u003c\/i\u003e).\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFachry Albar\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE FORBIDDEN DOOR) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eArio Bayu\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(IMPETIGORE) star in this “strange, unpredictable and beautiful film that will take you for quite a ride” (\u003ci\u003eScreen Anarchy\u003c\/i\u003e) – also known as KALA –\u003cspan\u003e \u003c\/span\u003e\u003cb\u003enow presented from a scan approved by the writer\/director with over 2 hours of new Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAudio Commentary With Writer\/Director Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eJoko Anwar On His Early Filmmaking Inspirations\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eActress Faradina Mufti On The Films Of Joko Anwar\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eDirector Of Photography Ical Tanjung On The Cinematography Of DEAD TIME\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eComposer Aghi Narottama On Joko Anwar And The Music Of DEAD TIME\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Shanty Harmayn\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eA Discussion With Producer Tia Hasibuan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of Joko Anwar’s Filmography By Film Critic Hikmat Darmawan\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eAn Analysis Of DEAD TIME By Film Critic Leila Chudori\u003c\/span\u003e\u003c\/li\u003e\n\u003cli class=\"li9\"\u003e\u003cspan class=\"s4\"\u003eTrailer\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":57962151838036,"sku":"FILM","price":109.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/420132_front.jpg?v=1793024372","url":"https:\/\/metalunastore.fr\/en\/products\/the-sacred-the-cursed-the-joko-anwar-collection-4-films","provider":"Metaluna Store","version":"1.0","type":"link"}