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The teensploitation classic \u003c\/span\u003e\u003cb\u003eBEAT GIRL\u003c\/b\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003ein the \u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cb\u003eOriginal Theatrical \u0026amp; Extended UK Cuts\u003c\/b\u003e,\u003c\/span\u003e\u003cspan\u003e stars Lee as the wolfish operator of a Soho strip club. Lee portrays a sleazy blackmailer in\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eTHE HANDS OF ORLAC\u003c\/b\u003e\u003cspan\u003e,\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003epresented here in its separate \u003c\/span\u003e\u003cb\u003eFrench \u0026amp; UK Versions.\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eDirected by\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eAntonio Margheriti\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand starring Lee as a disfigured madman,\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eThe Worldwide UHD\/Blu-ray Premiere\u003c\/b\u003e\u003cspan\u003e of \u003c\/span\u003e\u003cb\u003eTHE VIRGIN OF NUREMBERG\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eis a 2-disc collection that sets new standards in Italian Gothic cruelty. \u003c\/span\u003e\u003cb\u003eARABIAN ADVENTURE\u003c\/b\u003e\u003cspan\u003e is director \u003c\/span\u003e\u003cb\u003eKevin Connor\u003c\/b\u003e\u003cspan\u003e’s all-star family adventure showcasing Lee as a dastardly Caliph. Lee is a menacing teacher at an exclusive boys boarding school in \u003c\/span\u003e\u003cb\u003eA FEAST AT MIDNIGHT\u003c\/b\u003e\u003cspan\u003e, directed by\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eJustin Hardy\u003c\/b\u003e\u003cspan\u003e. With recollections by family, friends and Lee himself, \u003c\/span\u003e\u003cb\u003eTHE LIFE AND DEATHS OF CHRISTOPHER LEE\u003c\/b\u003e\u003cspan\u003e is a wildly unique documentary that reveals the screen legend like never before. Each film in this collection has been \u003c\/span\u003e\u003cb\u003escanned from superior vault elements\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003ewith \u003c\/span\u003e\u003cb\u003e16 combined hours of Special Features\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e\u003cspan\u003eand the\u003c\/span\u003e\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e142-page book,\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eChristopher Lee: Eight Decades of a Dark Horse\u003c\/i\u003e\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eby Jonathan Rigby.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eRetrouvez les titres dans leurs titres français :\u003cbr\u003e\u003c\/strong\u003eBeat Girl \u003cbr\u003eThe Hands of Orlac \u003cbr\u003eThe Virgin of Nuremberg BD \u0026amp; 4K\u003cbr\u003eArabian Adventure \u003cbr\u003eA Feast at Midnight \u003cbr\u003eThe Life and Deaths of Christopher Lee\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003e\u003cstrong\u003eContenu et Bonus\u003cbr\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cb style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDisc 1: BEAT GIRL (1959)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e“Mad about ‘Beat’! Living for ‘Kicks’! This could be your teenage daughter!” In the landmark UK ‘Adults Only’ classic,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis “fantastically dangerous” (\u003ci\u003eMeat Hook Cinema\u003c\/i\u003e) as the predatory owner of a Soho strip joint with eyes for a spoiled 16-year-old gasser – “an incredible performance” (\u003ci\u003eLouder Than War\u003c\/i\u003e) by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGillian Hills\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eof BLOW-UP and Yé-Yé fame – with her own hunger for cool cats, hot sounds and deadly thrills that shock the squares. Pop star\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAdam Faith\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePeter McEnery\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(ENTERTAINING MR. SLOANE),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eShirley Ann Field\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(PEEPING TOM) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eOliver Reed\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eco-star – with a way-out jazz\/rockabilly\/surf guitar score by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eThe John Barry Seven\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e– in “one of the coolest flicks ever made about the London scene” (\u003ci\u003eShock Cinema\u003c\/i\u003e), directed by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEdmond T. Greville\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE HANDS OF ORLAC) and featuring\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eboth the Original Theatrical \u0026amp; Extended UK Cuts scanned in 4K by The British Film Institute\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ewith\u003cspan\u003e \u003c\/span\u003e\u003cb\u003enearly 3 hours of Special Features.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003cspan\u003eAudio Commentary With Christopher Lee Biographer Jonathan Rigby And Hammer Historian Kevin Lyons (Extended Cut Only)\u003c\/span\u003e\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eInterview With Actress Gillian Hills\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eLondon After Dark: The Sinful Soho Of The Sixties\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– An Exploration By David Flint, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eBabylon Blue: An Illustrated History Of Adult Cinema\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 88 mins (Theatrical Cut) \/ 92 mins (Extended Cut)\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 2: THE HANDS OF ORLAC (1960)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eIn this third film adaptation of the\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMaurice Renard\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003enovel – a French\/UK co-production filmed in two separate versions by different cinematographers with alternate supporting casts –\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMel Ferrer\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(BLOOD AND ROSES, EATEN ALIVE) stars as a famed concert pianist whose hands are destroyed in a plane crash. But when he receives transplants from a recently executed strangler, his murderous new mitts attract the attention of a sleazy illusionist turned blackmailer (a scene-stealing\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e).\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eFelix Aylmer\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE MUMMY),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSir Donald Wolfit\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(BLOOD OF THE VAMPIRE),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDany Carrel\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003e(MILL OF THE STONE WOMEN)\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eDonald Pleasence\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eco-star in this “cracking good entertainment” (\u003ci\u003eFrenchFilms.org\u003c\/i\u003e) directed by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEdmond T. Greville\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(BEAT GIRL), featuring \u003cb\u003ethe UK Cut scanned in 4K from the original camera negative by The British Film Institute\u003c\/b\u003e \u003cb\u003eand\u003c\/b\u003e \u003cb\u003erestored by Severin Films\u003c\/b\u003e, \u003cb\u003ethe longer French Cut supplied \u003c\/b\u003e\u003cspan class=\"s4\"\u003e\u003cb\u003eby Rene Chateau Productions and 2+ hours of all-new Special Features\u003c\/b\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Christopher Lee Biographer Jonathan Rigby And Hammer Historian Kevin Lyons (French Cut Only)\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eHand Scare: A Portrait Of French Writer Maurice Renard\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Merveilleux-Scientifique Specialist Fleur Hopkins-Loféron\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eLocations Of ORLAC\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 104 mins (French Cut) \/ 95 mins (UK Cut)\u003cbr\u003eAudio: French Mono (French Cut Only) \/ English Mono (UK Cut Only)\u003cbr\u003eSubtitles: English (French Cut Only) \/ English SDH (UK Cut Only)\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.66:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDiscs 3-4: THE VIRGIN OF NUREMBERG (1963)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eAfter years of challenging licensor negotiations and exhaustive vault searches,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSeverin Films\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eis proud to present the long-out-of-print jewel of\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e’s\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eItalian horror period\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ein UHD for the first time ever\u003c\/b\u003e: From director\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAntonio Margheriti\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(CASTLE OF BLOOD) and credited screenwriter\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eErnesto Gastaldi\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(ALL THE COLORS OF THE DARK) comes a jaw-dropping shocker of ancestral castles and dank dungeons, sexual terror and extreme sadism, and Lee at his most sinister as a disfigured caretaker who may be the black-hooded torturer known as ‘The Punisher.’\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eGeorges Rivière\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(MINNESOTA CLAY) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRossanna Podestà\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(SODOM AND GOMORRAH) co-star in\u003cspan\u003e \u003c\/span\u003e\u003cspan class=\"s2\"\u003e“Margheriti’s underappreciated classic and a galvanizing moment of mid-‘60s Italian Gothic” (\u003ci\u003eKinoeye\u003c\/i\u003e) – released in America as HORROR CASTLE –\u003cb\u003e\u003cspan\u003e \u003c\/span\u003enow scanned uncut in 4K from the interpositive\u003c\/b\u003e with\u003cspan\u003e \u003c\/span\u003e\u003cb\u003enearly 2 hours of new \u0026amp; archival Special Features.\u003c\/b\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 1: UHD (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMondo Digital\u003c\/i\u003e's Nathaniel Thompson And Troy Howarth, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSo Deadly, So Perverse\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 2: Blu-ray (Film + Special Features)\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eMondo Digital\u003c\/i\u003e's Nathaniel Thompson And Troy Howarth, Author Of\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eSo Deadly, So Perverse\u003c\/i\u003e\n\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eMargheriti's Horror Castle\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Director Antonio Margheriti\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eIn The Iron Maiden\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Film Historian Fabio Melelli And Screenwriter Ernesto Gastaldi With Audio Excerpts From Antonio Margheriti\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 84 mins\u003cbr\u003eAudio: Italian Mono \/ English Mono\u003cbr\u003eSubtitles: English \/ English SDH\u003cbr\u003eUHD: Region Free \/ Blu-ray: Region A\u003cbr\u003eAspect Ratio: 1.85:1\u003cbr\u003e4K Video: HDR10\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 5: ARABIAN ADVENTURE (1979)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p8\"\u003eIn the 1979 family favorite that\u003cspan\u003e \u003c\/span\u003e\u003ci\u003eVariety\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003ecalled “STAR WARS with flying carpets,” producer\/director\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eKevin Connor\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE LAND THAT TIME FORGOT), screenwriter\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eBrian Hayles\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(\u003ci\u003eDoctor Who\u003c\/i\u003e), production designer\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eElliott Scott\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(INDIANA JONES AND THE LAST CRUSADE) and cinematographer\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eAlan Hume\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(RETURN OF THE JEDI) craft a “colorful and charming” (\u003ci\u003eDVD Talk\u003c\/i\u003e) world of beautiful princesses, handsome princes, thrilling chases, daring escapes and a deliciously over-the-top\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eas the evil caliph.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEmma Samms\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(\u003ci\u003eDynasty\u003c\/i\u003e),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMilo O’Shea\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(BARBARELLA),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eOliver Tobias\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(FIRESTAR: FIRST CONTACT), award-winning UK\/Bollywood filmmaker\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePuneet Sira\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJohn Wyman\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(TUXEDO WARRIOR),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJohn Ratzenberger\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(\u003ci\u003eCheers\u003c\/i\u003e) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eArt Malik\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(THE JEWEL IN THE CROWN) co-star – with Special Guest Appearances by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eMickey Rooney\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eCapucine\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003eand\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePeter Cushing\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e– in this “whimsical example of old-school filmmaking” (\u003ci\u003eCinema Retro),\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003e\u003cb\u003enow scanned in 2K from the original camera negative\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ewith\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eover 3 hours of new \u0026amp; archival Special Features.\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Kevin Connor Moderated By Severin Films' David Gregory\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eThe Princess Adventure\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actress Emma Samms\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eArabian Adventurer\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003e– Interview With Actor Puneet Sira\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003e\u003ci\u003eArabian Zoom –\u003c\/i\u003e\u003cspan\u003e \u003c\/span\u003eVirtual Reunion Between Kevin Connor, Emma Samms And Puneet Sira\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTHE MANY FACES OF CHRISTOPHER LEE – 1996 Documentary\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer 1\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer 2\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 98 mins\u003cbr\u003eAudio: English Mono\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion A\u003cbr\u003eAspect Ratio: 1.78:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 6: A FEAST AT MIDNIGHT (1994)\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003eIn the “funny, charming and truly delightful” (\u003ci\u003eKids Out\u003c\/i\u003e) debut feature by co-writer\/director\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJustin Hardy\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e– son of legendary THE WICKER MAN director\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRobin Hardy\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e–\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003estars as the menacing teacher at an exclusive boy’s boarding school where the bullied new student (\u003cb\u003eFreddie Findlay\u003c\/b\u003e) learns to stand up for himself by forming an after-hours culinary club in the off-limits kitchen.\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eRobert Hardy\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(‘Cornelius Fudge’ in the HARRY POTTER movies),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eSamuel West\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(\u003ci\u003eAll Creatures Great \u0026amp; Small\u003c\/i\u003e),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eEdward Fox\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(DAY OF THE JACKAL) and\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJulie Dreyfus\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(KILL BILL: VOLUME 1 \u0026amp; 2) co-star in this 1994 comedy that’s “terrific fun for all the family” (\u003ci\u003eDaily Star\u003c\/i\u003e),\u003cspan\u003e \u003c\/span\u003e\u003cb\u003enow scanned in 4K from the original camera negative\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ewith nearly 2 hours of Special Features\u003c\/b\u003e.\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Co-Writer\/Director Justin Hardy And Co-Writer\/Producer Yoshi Nishio\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 106 mins\u003cbr\u003eAudio: English Stereo\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.85:1\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc 7: THE LIFES AND DEATH OF CHRISTOPHER LEE (2023)\u003c\/b\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cspan class=\"s2\"\u003eFrom his curious boyhood and mysterious military service through his legendary film career and beyond, “few people in the history of the world have lived such eventful lives as the late, great\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eChristopher Lee\u003c\/b\u003e” (\u003ci\u003eEye For Film\u003c\/i\u003e). In this “fascinating and brilliantly crafted documentary” (\u003ci\u003eCinedump\u003c\/i\u003e),\u003cb\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003ewriter\/director\u003cb\u003e\u003cspan\u003e \u003c\/span\u003eJon Spira\u003c\/b\u003e\u003c\/span\u003e\u003ci\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/i\u003eu\u003cspan class=\"s2\"\u003etilizes archival footage, unique animations, copious clips, one remarkable marionette, an uncanny narration performed by\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePeter Serafinowicz\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003e(SHAUN OF THE DEAD, GUARDIANS OF THE GALAXY) and frank interviews with family, friends and fans that include\u003cspan\u003e \u003c\/span\u003e\u003cb\u003ePeter Jackson\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJoe Dante\u003c\/b\u003e,\u003cspan\u003e \u003c\/span\u003e\u003cb\u003eJohn Landis, Caroline Munro, Harriet Walter, Jonathan Rigby, Paul Maslansky\u003cspan\u003e \u003c\/span\u003e\u003c\/b\u003eand more to reveal unknown sides of the cinema icon for whom on-screen deaths became a way of life. “It’s a deeply human project with a cinematic soul derived from the man himself\u003c\/span\u003e\u003cspan class=\"s5\"\u003e”\u003c\/span\u003e\u003cspan class=\"s2\"\u003e\u003cspan\u003e \u003c\/span\u003e(\u003ci\u003eGeek Vibes Nation\u003c\/i\u003e), now with\u003cspan\u003e \u003c\/span\u003e\u003cb\u003enearly 4 hours of Special Features\u003c\/b\u003e\u003cspan\u003e \u003c\/span\u003ethat include an audio commentary, a British Film Institute Q\u0026amp;A, extended interviews and more. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eSpecial Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eAudio Commentary With Director Jon Spira And Producer Hank Starrs\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eBFI Q\u0026amp;A With Jon Spira, Hank Starrs And Christopher Lee Biographer Jonathan Rigby\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eExtended Interviews With Juan Aneiros, Gary Curtis, Joe Dante, Peter Jackson, John Landis, Paul Maslansky And Harriet Walter\u003c\/li\u003e\n\u003cli class=\"li6\"\u003e\n\u003cspan class=\"s3\"\u003e\u003c\/span\u003eTrailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p6\"\u003e\u003cb\u003eDisc Specs:\u003cbr\u003e\u003c\/b\u003eRuntime: 102 mins\u003cbr\u003eAudio: English 5.1, English Stereo\u003cbr\u003eSubtitles: English SDH\u003cbr\u003eRegion Free\u003cbr\u003eAspect Ratio: 1.78:1\u003cstrong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/p\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53259112972628,"sku":"COFFRET","price":139.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/400138_front.jpg?v=1766424941"},{"product_id":"george-a-romeros-resident-evil","title":"George A. Romero's Resident Evil","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eGeorge A. Romero's Resident Evil\u003c\/strong\u003e (2025)\u003cbr\u003ede \u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eDark Star Pictures - \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e27 janvier 2026\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e :\u003cbr\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e :\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eEnglish\u003c\/span\u003e\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e : 1h51\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : Blu-ray \/ import US\u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : A\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Documentaire\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA documentary that brings to light the vision that director George A. Romero had for an adaptation of Resident Evil, using newly filmed interviews with those who were there, and unravels the secrets behind why it was never produced.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53294595080532,"sku":"FILM","price":33.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/402469_front.jpg?v=1767028073"},{"product_id":"big-boobs-buster","title":"Big Boobs Buster","description":"\u003cp\u003e\u003cstrong\u003eBig Boobs Buster\u003c\/strong\u003e (1990)\u003cbr\u003ede \u003cbr\u003e\u003cbr\u003eWhole Grain Pictures - \u003cstrong\u003e10 février 2026\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJapanese: DTS-HD Master Audio 2.0\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003eEnglish: DTS-HD Master Audio 2.0\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSous-Titres \u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish, English SDH\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e : 45 min\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : Blu-ray\u003cspan\u003e \/ import US\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eZone : \u003c\/strong\u003eA\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Comédie, Action, Erotique\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA young woman is rejected due to her flat chest, and seeks revenge on all the well endowed girls around her.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53336515805524,"sku":"FILM","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/394263_front.jpg?v=1767614809"},{"product_id":"the-ugly","title":"The Ugly","description":"\u003cp\u003e\u003cstrong\u003eThe Ugly\u003c\/strong\u003e (1997)\u003cbr\u003ede Scott Reynolds\u003cbr\u003e\u003cbr\u003eUnearthed Films - \u003cstrong\u003e10 février 2026 (repoussé au 21 avril)\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSous-Titres \u003c\/strong\u003e: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish SDH\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e : 1h33\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : Blu-ray\u003cspan\u003e \/ import US\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eZone : \u003c\/strong\u003eA\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Horreur, Thriller\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSimon is a confessed serial killer who spent the last five years in a mental hospital because of his state. Dr.Karen Shoemaker wants to get through to him and starts visiting him in the hospital, and his previous life comes to us in flashbacks.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53336732696916,"sku":"FILM","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/400332_front.jpg?v=1767615029"},{"product_id":"peter-sellers-early-classics","title":"Peter Sellers Early Classics (5 films)","description":"\u003cp\u003e\u003cstrong\u003ePeter Sellers Early Classics\u003c\/strong\u003e (1959-1963)\u003cbr\u003ede various\u003cbr\u003e\u003cbr\u003eKino Lorber - \u003cstrong\u003e24 février 2026\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish: DTS-HD Master Audio 2.0\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish SDH\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1h53\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : Blu-ray \/ Import US \u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : A\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Comédie, Crime\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003eScreen legend Peter Sellers unleashes his unique comedic brilliance upon these five classic U.K. productions. Man in a Cocked Hat (1959) – When valuable mineral deposits are discovered on the forgotten Pacific island colony of Gaillardia, bumbling British envoy Carlton-Browne (Terry-Thomas) is sent to investigate. Can the Empire’s most disastrous diplomat restore relations with the gleefully corrupt Prime Minister Amphibulos (Sellers) before the Cold War comes to a boil? I'm All Right Jack (1959) – Sellers plays dual roles in a laugh-out-loud lampooning of labor relations. Two Way Stretch (1960) – Sellers shines as criminal “mastermind” Dodger Lane, who has been concocting the perfect robbery in prison. The Wrong Arm of the Law (1963) – Cockney kingpin “Pearly” Gates (Sellers) runs London’s most efficient gang of thieves, organizing spectacular robberies from behind the front of a haute-couture dress salon. Heavens Above! (1963) – Sellers is divine as Reverend John Smallwood, an idealistic chaplain who is assigned to a wealthy parish where his progressive ideas are frowned upon. His actions start offending not only the townspeople but the religious hierarchy and even the government itself. Can the Church of England silence their most compassionate cleric, or will the vicar escape to serve the highest calling of all?\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBonus\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eHeavens Above! Audio Commentary by Authors and Comedy Historians Gemma and Robert Ross\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eI’m All Right Jack Audio Commentary by Authors and Comedy Historians Gemma and Robert Ross\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eInterview with I'm All Right Jack Star Liz Fraser\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eInterview with The Wrong Arm of the Law Screenwriter John Antrobus\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eMan in a Cocked Hat Audio Commentary by Film Journalist Laurence Lerman\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eTwo Way Stretch Audio Commentary by Authors and Comedy Historians Gemma Ross and Robert Ross\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eThe Wrong Arm of the Law Audio Commentary by Film Journalist Laurence Lerman\u003cbr\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eTrailers\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53436838805844,"sku":"FILM","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/402405_front.jpg?v=1769019028"},{"product_id":"jack-benny-comedy-classics","title":"Jack Benny: Comedy Classics","description":"\u003cp\u003e\u003cstrong\u003eJack Benny: Comedy Classics\u003c\/strong\u003e (1937-1939)\u003cbr\u003ede Mark Sandrich, Raoul Walsh, Vincente Minnelli\u003cbr\u003e\u003cbr\u003eKino Lorber - \u003cstrong\u003e24 février 2026\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish SDH\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e : \u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : Blu-ray 2 films \/ Import US \u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : A\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Comédie, Romance, Musical\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eLegendary entertainer Jack Benny sparkles in this double bill of musical-comedy gems. Artists and Models (1937) – Advertising bigwig Mac Brewster (Benny) is charged with choosing a queen for the yearly Artists and Models Ball in this fast-paced charmer directed by Raoul Walsh (Pursued, White Heat) and co-starring Ida Lupino in an early role. The score includes the classic song, “Whispers in the Dark,” and specialty numbers feature Ben Blue, Judy Canova, Martha Raye, Louis Armstrong and the singing quartet, the Yacht Club Boys. Man About Town (1939) – Broadway producer Bob Temple (Benny), who’s brought a show to London, loves his glamorous star Diana (Dorothy Lamour), but she won’t take him seriously. To show her, he picks up stranger Lady Arlington (Binnie Barnes), whose financier husband (Edward Arnold) neglects her. On a weekend at the Arlington country house, Bob finds himself a pawn for Lady A. and her friend to make their husbands jealous. Mark Sandrich (Top Hat, Holiday Inn) directed this frothy, tune-filled farce.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eBonus\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eBrand New HD Masters – From a 2K Scans of the 35mm Fine Grains\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eNEW Audio Commentary for ARTISTS AND MODELS by Film Historian Eddy Von Mueller\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eNEW Audio Commentary for MAN ABOUT TOWN by Film Historians Paul Anthony Nelson and Lee Zachariah\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eTheatrical Trailers (Newly Mastered in 2K - Both Films)\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\"\u003eOptional English Subtitles\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53436917055828,"sku":"FILM","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/402167_front.jpg?v=1769019379"},{"product_id":"mogambo","title":"Mogambo","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eMogambo\u003c\/strong\u003e (1953)\u003cbr\u003ede John Ford\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eWarner Bros (Warner Archive) - \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e24 février 2026\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e :\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eEnglish SDH\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e : 1h56\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : Blu-ray \/ import US\u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : Toutes zones\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Romance, Aventure\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\"Hey! A kangaroo,\" Eloise \"Honey Bear\" Kelly says when when she sees a baby rhinoceros being lifted from an African pit. A Broadway showgirl stranded in the African jungle, Eloise is better suited for the urban jungle. Yet one look at safari guide Victor Marswell and she knows exactly where she wants to be. Times change but the fun remains when Clark Gable portrays man's-man Victor in a sassy, vibrant remake of Gable's RED DUST. Ava Gardner plays tough-hided, vulnerable-hearted Eloise. And Grace Kelly is the prim anthropologist's wife who catches Victor's roving eye. Both women earned Oscar nominations, with Kelly also winning a Supporting Actress Golden Globe. 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\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e24 février 2026\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e :\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eEnglish SDH\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e : 1h44\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : Blu-ray \/ import US\u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : Toutes zones\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Action, Aventure\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe idyllic life of Tarzan and Jane is challenged by men on safari who come seeking ivory, and come seeking Jane as well.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53437025812820,"sku":"FILM","price":24.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/392369_front.jpg?v=1769021261"},{"product_id":"loopy-de-loop-the-complete-collection","title":"Loopy De Loop: The Complete Collection","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eLoopy De Loop: The Complete Collection\u003c\/strong\u003e (1959-1965)\u003cbr\u003ede Joseph Barbera, William Hanna\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eWarner Bros (Warner Archive) - 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VHSHITFEST could not be happier to rescue this film from obscurity with a beautiful brand new film transfer that captures the breathtaking and spooky visuals. \u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"New 4k transfer from the original 16mm camera negative, Commentary with director Michael de Avila, Lost Prophet original 1991 Cut transferred from the original BetaSP, “Lost Prophet Found”: An Interview with Michael de Avila, Interview with actor Jim Burton, Photo \u0026amp; Press Gallery, Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAll 12 Original Episodes\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Awakening a captive to his dreams, James Burton struggles to survive in the wilderness of his mind. A distant mansion draws the dream-vagabond down the dark terrain of a New Age witch, punks, and a psychotic killer. Playing with self-destruction and death, the \\\u0026quot;Lost Prophet\\\u0026quot; faces his subconscious enemy with passive, child-like fascination.\\n\\nMichael de Avila's film is an intense mood piece that adeptly seduces the viewer into a hypnotic state to experience the random curiosities and terrors of the mind. VHSHITFEST could not be happier to rescue this film from obscurity with a beautiful brand new film transfer that captures the breathtaking and spooky visuals. \u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"New 4k transfer from the original 16mm camera negative, Commentary with director Michael de Avila, Lost Prophet original 1991 Cut transferred from the original BetaSP, “Lost Prophet Found”: An Interview with Michael de Avila, Interview with actor Jim Burton, Photo \u0026amp; Press Gallery, Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003ePreviously Unreleased Episode \"Tool\"\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Awakening a captive to his dreams, James Burton struggles to survive in the wilderness of his mind. A distant mansion draws the dream-vagabond down the dark terrain of a New Age witch, punks, and a psychotic killer. Playing with self-destruction and death, the \\\u0026quot;Lost Prophet\\\u0026quot; faces his subconscious enemy with passive, child-like fascination.\\n\\nMichael de Avila's film is an intense mood piece that adeptly seduces the viewer into a hypnotic state to experience the random curiosities and terrors of the mind. VHSHITFEST could not be happier to rescue this film from obscurity with a beautiful brand new film transfer that captures the breathtaking and spooky visuals. \u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"New 4k transfer from the original 16mm camera negative, Commentary with director Michael de Avila, Lost Prophet original 1991 Cut transferred from the original BetaSP, “Lost Prophet Found”: An Interview with Michael de Avila, Interview with actor Jim Burton, Photo \u0026amp; Press Gallery, Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSelect Commentaries\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Awakening a captive to his dreams, James Burton struggles to survive in the wilderness of his mind. A distant mansion draws the dream-vagabond down the dark terrain of a New Age witch, punks, and a psychotic killer. Playing with self-destruction and death, the \\\u0026quot;Lost Prophet\\\u0026quot; faces his subconscious enemy with passive, child-like fascination.\\n\\nMichael de Avila's film is an intense mood piece that adeptly seduces the viewer into a hypnotic state to experience the random curiosities and terrors of the mind. VHSHITFEST could not be happier to rescue this film from obscurity with a beautiful brand new film transfer that captures the breathtaking and spooky visuals. \u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"New 4k transfer from the original 16mm camera negative, Commentary with director Michael de Avila, Lost Prophet original 1991 Cut transferred from the original BetaSP, “Lost Prophet Found”: An Interview with Michael de Avila, Interview with actor Jim Burton, Photo \u0026amp; Press Gallery, Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eInterview with Wayne Spitzer and Andy Kumpon\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Awakening a captive to his dreams, James Burton struggles to survive in the wilderness of his mind. A distant mansion draws the dream-vagabond down the dark terrain of a New Age witch, punks, and a psychotic killer. Playing with self-destruction and death, the \\\u0026quot;Lost Prophet\\\u0026quot; faces his subconscious enemy with passive, child-like fascination.\\n\\nMichael de Avila's film is an intense mood piece that adeptly seduces the viewer into a hypnotic state to experience the random curiosities and terrors of the mind. VHSHITFEST could not be happier to rescue this film from obscurity with a beautiful brand new film transfer that captures the breathtaking and spooky visuals. \u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"New 4k transfer from the original 16mm camera negative, Commentary with director Michael de Avila, Lost Prophet original 1991 Cut transferred from the original BetaSP, “Lost Prophet Found”: An Interview with Michael de Avila, Interview with actor Jim Burton, Photo \u0026amp; Press Gallery, Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eOral History of\u003cspan\u003e \u003c\/span\u003e\u003cem\u003eDead of Night\u003c\/em\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Awakening a captive to his dreams, James Burton struggles to survive in the wilderness of his mind. A distant mansion draws the dream-vagabond down the dark terrain of a New Age witch, punks, and a psychotic killer. Playing with self-destruction and death, the \\\u0026quot;Lost Prophet\\\u0026quot; faces his subconscious enemy with passive, child-like fascination.\\n\\nMichael de Avila's film is an intense mood piece that adeptly seduces the viewer into a hypnotic state to experience the random curiosities and terrors of the mind. VHSHITFEST could not be happier to rescue this film from obscurity with a beautiful brand new film transfer that captures the breathtaking and spooky visuals. \u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"New 4k transfer from the original 16mm camera negative, Commentary with director Michael de Avila, Lost Prophet original 1991 Cut transferred from the original BetaSP, “Lost Prophet Found”: An Interview with Michael de Avila, Interview with actor Jim Burton, Photo \u0026amp; Press Gallery, Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eBehind the Scenes Footage\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Awakening a captive to his dreams, James Burton struggles to survive in the wilderness of his mind. A distant mansion draws the dream-vagabond down the dark terrain of a New Age witch, punks, and a psychotic killer. Playing with self-destruction and death, the \\\u0026quot;Lost Prophet\\\u0026quot; faces his subconscious enemy with passive, child-like fascination.\\n\\nMichael de Avila's film is an intense mood piece that adeptly seduces the viewer into a hypnotic state to experience the random curiosities and terrors of the mind. VHSHITFEST could not be happier to rescue this film from obscurity with a beautiful brand new film transfer that captures the breathtaking and spooky visuals. \u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"New 4k transfer from the original 16mm camera negative, Commentary with director Michael de Avila, Lost Prophet original 1991 Cut transferred from the original BetaSP, “Lost Prophet Found”: An Interview with Michael de Avila, Interview with actor Jim Burton, Photo \u0026amp; Press Gallery, Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eArchival News Segments\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Awakening a captive to his dreams, James Burton struggles to survive in the wilderness of his mind. A distant mansion draws the dream-vagabond down the dark terrain of a New Age witch, punks, and a psychotic killer. Playing with self-destruction and death, the \\\u0026quot;Lost Prophet\\\u0026quot; faces his subconscious enemy with passive, child-like fascination.\\n\\nMichael de Avila's film is an intense mood piece that adeptly seduces the viewer into a hypnotic state to experience the random curiosities and terrors of the mind. VHSHITFEST could not be happier to rescue this film from obscurity with a beautiful brand new film transfer that captures the breathtaking and spooky visuals. \u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"New 4k transfer from the original 16mm camera negative, Commentary with director Michael de Avila, Lost Prophet original 1991 Cut transferred from the original BetaSP, “Lost Prophet Found”: An Interview with Michael de Avila, Interview with actor Jim Burton, Photo \u0026amp; Press Gallery, Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eSix Short Films\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Awakening a captive to his dreams, James Burton struggles to survive in the wilderness of his mind. A distant mansion draws the dream-vagabond down the dark terrain of a New Age witch, punks, and a psychotic killer. Playing with self-destruction and death, the \\\u0026quot;Lost Prophet\\\u0026quot; faces his subconscious enemy with passive, child-like fascination.\\n\\nMichael de Avila's film is an intense mood piece that adeptly seduces the viewer into a hypnotic state to experience the random curiosities and terrors of the mind. VHSHITFEST could not be happier to rescue this film from obscurity with a beautiful brand new film transfer that captures the breathtaking and spooky visuals. \u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"New 4k transfer from the original 16mm camera negative, Commentary with director Michael de Avila, Lost Prophet original 1991 Cut transferred from the original BetaSP, “Lost Prophet Found”: An Interview with Michael de Avila, Interview with actor Jim Burton, Photo \u0026amp; Press Gallery, Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAnd More!\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Awakening a captive to his dreams, James Burton struggles to survive in the wilderness of his mind. A distant mansion draws the dream-vagabond down the dark terrain of a New Age witch, punks, and a psychotic killer. Playing with self-destruction and death, the \\\u0026quot;Lost Prophet\\\u0026quot; faces his subconscious enemy with passive, child-like fascination.\\n\\nMichael de Avila's film is an intense mood piece that adeptly seduces the viewer into a hypnotic state to experience the random curiosities and terrors of the mind. VHSHITFEST could not be happier to rescue this film from obscurity with a beautiful brand new film transfer that captures the breathtaking and spooky visuals. \u0026quot;}\" data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"New 4k transfer from the original 16mm camera negative, Commentary with director Michael de Avila, Lost Prophet original 1991 Cut transferred from the original BetaSP, “Lost Prophet Found”: An Interview with Michael de Avila, Interview with actor Jim Burton, Photo \u0026amp; Press Gallery, Trailers\"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53567993217364,"sku":"FILM","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/Captured_ecran2026-02-02a17.30.06.png?v=1770050005"},{"product_id":"deadwood-park","title":"Deadwood Park","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eDeadwood Park\u003c\/strong\u003e (2007)\u003cbr\u003ede\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eEric Stanze\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eVinegar Syndrome - \u003cstrong\u003efin février 2026\u003cbr\u003e(fourreau en fonction des stocks fournisseurs, FOURREAU NON CONTRACTUEL)\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish DTS HD-MA 2.0\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish SDH\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e :\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e117 min\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : \u003cspan\u003eBlu-ray\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ import US  \u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRegion Free\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe small community of Eidolon Crossing once boasted a flourishing economy, fueled primarily by the rural amusement park Dogwood Park. Then the child murders began. Once the bodies of multiple murdered children were unearthed on the park’s property, attendance declined and the town quickly withered into poverty and ruin. Over the course of 35 years, 26 children disappeared at the hands of an elusive murderer and the decaying amusement park was dubbed Deadwood Park by the superstitious locals. Former resident Jake Richardson (William Clifton), returns to his parents’ dilapidated farmhouse to search for answers surrounding his twin brother’s childhood disappearance. Soon the spirits of the murdered children appear to Jake, luring him back to the decrepit grounds of Deadwood Park, in an attempt to uncover the horrific and homicidal secrets buried deep beneath Eidolon Crossing.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eContenu et Bonus\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary with writer \/ director Eric Stanze\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eAudio commentary with writer \/ director Eric Stanze \u0026amp; actor \/ producer Jason Christ\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e\"Season Pass: Return to Deadwood Park” - New 2026 retrospective documentary\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Welcome to Eidolon Crossing: The Making of Deadwood Park” - Feature length documentary from 2007\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003ePost-production featurette\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003e“Crew on Camera” featurette\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eOuttakes\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eDeleted Scenes\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eMusic videos\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eRadio commercial\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eWicked Pixel trailer vault\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value='{\"1\":2,\"2\":\"Dubbed “The Ed Wood of the 21st Century”, Des Plaines, Illinois based former marine and Golden Gloves boxer turned gonzo filmmaker David “The Rock” Nelson has been churning out his bizarre and mesmerizing brand of backyard monster movies for over 30 years. Often playing multiple onscreen roles simultaneously while utilizing local friends, his parents, and his girlfriend Janet Okulanis as his co-stars, “The Rock” has amassed a robust SOV filmography and persevered undaunted in the face nonexistent funds, unfavorable reviews, and outdated video equipment. Nelson’s work represents a singular viewing experience like no other: landing somewhere between the earnest monster romps of Paul Naschy and the eccentric video diaries of George Kuchar; where the filmmakers’ real life day to day activities and interactions sometimes outweigh the forwarding of the narrative. Equipped with dime store rubber fright masks and his camcorder, David “The Rock” Nelson has unapologetically crafted a legacy that remains an inspirational testament to the spirit of fulfilling your cinematic dreams at any cost. \\n\\nIn 1994, the same year that Tim Burton unleashed his Academy Award winning Ed Wood biopic, underground filmmaker David “The Rock” Nelson traveled to Baltimore to direct one of Wood’s chief collaborators Conrad Brooks (Plan 9 from Outer Space, Glen or Glenda, The Sinister Urge) in a backyard epic for the ages. When the local graveyard’s mild-mannered caretaker (Nelson) transforms into a werewolf in broad daylight, it’s up to Conrad and his real life, geriatric brothers Henry \u0026amp; Ted Brooks to vanquish the beast using plastic uzis, fisticuffs, and a Hyundai Excel! Saturn’s Core is proud to present its first (of several) David “The Rock” Nelson collections highlighting the ‘90s fanzine staple Conrad Brooks vs. Werewolf accompanied by Son of Werewolf \u0026amp; Adventures of Janet (two additional brain-smashing, monstercentric shorts hand picked by The Rock), a 28-page booklet, and nearly 4 stinkin’ hours of Rock related special features!\"}' data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Saturn’s Core presents a double feature of SOV features from visionary Springfield, Missouri based writer \/ director Todd Reynolds. A vital component in the Borderline Entertainment film collective, Todd consistently applied a unique, incongruous, and often absurdist approach to the conventions of whichever genre he chose to explore. Boasting the frequent collaboration of producer \/ editor Ronnie Sortor (Sinistre, Ravage) and special FX artist Mike Strain Jr. (Vile 21), Reynolds represents a singular voice from the ‘90s video underground that’s ripe and rightful for rediscovery. \\n\\nIn Living a Zombie Dream, a man discovers his brother is having an elicit affair with his girlfriend. After a heated confrontation, he witnesses his brother being captured and disemboweled by a flesh-eating psychopath. After murdering the maniac, he begins suffering from violent and perplexing hallucinations. Both his brother and the killer return from the dead amidst a horde of zombies and their desire to consume the flesh and blood of the living soon compels the man to follow in their footsteps. A Lynchian, analog meditation on life and death rife with shocking gore, bleeding handguns, and static filled TV sets, Reynolds’ arresting debut feature boldly bears the hallmarks of both an experimental art film and a homespun SOV zombie gore epic. \\n\\nIn Kitty Killers, a gang of eccentric, working class hitmen are ordered to torture and hold hostage the duplicitous business rivals of their psychotic, wheelchair bound boss Mr. Hill. Things go haywire once the junior hitman falls for an innocent coffee shop poet named Kitty and his rampant narcissism leads to a chaotic crossroads of exploding squib hits, zen meditation, human flesh tic-tac-toe, and gluttonous doughnut consumption. A hyperviolent, post-Tarantino crime caper with self-reflective, transcendental underpinnings, Kitty Killers remains a predominant illustration of Reynolds’ idiosyncratic approach to genre storytelling. \"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"Exploring themes of isolation, suicide, voyeurism, murder, sexual aberrations, and the condemnation of organized religion, Michigan born, UK based filmmaker and provocateur Richard Baylor sent shockwaves throughout the repressive and censorious ‘90s British film scene with his subversive and button-pushing underground video works. Drawing inspiration from the short and shocking films of Richard Kern, Nick Zedd, and their contemporaries from New York’s Cinema of Transgression scene, Baylor became an honorary member of the movement by creating similarly insurgent works on video in his native Ipswich, England, culling collaborators from the local punk rock and industrial noise communities and employing acting performances and soundtrack contributions from members of Extreme Noise Terror, Whiteslug, and Optimum Wound Profile. \\n\\nAfter decades in the ether, Saturn’s Core is proud to finally unleash the complete works of Richard Baylor. Preserved and presented under the supervision of Baylor himself and marking their disc debut and long-awaited return to physical media since the tape trading and mail order VHS days of the 1990s. The collection combines early unseen work (Our Own Personal Hell), Baylor’s award-winning video anthologies (You Made Your Bed...Now Die in It, The Holy Trinity), and culminates with his magnum opus; the notorious serial killer rumination Cirsium Delectus, inspired by the real life case of California’s Sunset Strip Killers Doug Clark and Carol Bundy. Accompanied by hours of special features, audio commentaries, a new 45 minute documentary, and a 28 page booklet, Our World is Drowning and Going to Hell: The Underground Films of Richard Baylor is the ultimate descent into the disturbing milieu of one of the ‘90s most provocative and formerly uncharted video agitators.\"}' data-sheets-userformat='{\"2\":5053,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"7\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value='{\"1\":2,\"2\":\"-Audio commentary throughout the entire Richard Baylor filmography by film writer \u0026amp; publisher David Flint\\n-Audio commentary on Cirsium Delectus by film writer Heather Drain \\n-“Staring Into the Abyss” -A new 2024 retrospective documentary featuring interviews with filmmaker Richard Baylor and collaborators Sophie Baylor, Lisa Corell, Jason Whittaker, \u0026amp; Richard Munn\\n-Music video collection (featuring clips from Extreme Noise Terror, Earth Mother Fucker, The Brackish Edge, \u0026amp; The Brothers of Hope and Despair)\\n-“Sins of the Flesh” -a 28-page booklet featuring writings by David Flint, Heather Drain, Ross Snyder, Hugh Gallagher, \u0026amp; Vincent Albarano \\n-English SDH subtitles \"}' data-sheets-userformat='{\"2\":12973,\"3\":{\"1\":0},\"5\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"6\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"8\":{\"1\":[{\"1\":2,\"2\":0,\"5\":{\"1\":2,\"2\":0}},{\"1\":0,\"2\":0,\"3\":3},{\"1\":1,\"2\":0,\"4\":1}]},\"10\":0,\"12\":0,\"15\":\"Calibri\",\"16\":11}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53568093913428,"sku":"FILM","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/Captured_ecran2026-02-02a17.35.45_e217b2c0-d502-4607-b4b3-8ece97cb425f.png?v=1770050480"},{"product_id":"embalmer","title":"Embalmer","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eEmbalmer\u003c\/strong\u003e (1996)\u003cbr\u003ede\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eS. Torriano Berry\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eVinegar Syndrome - \u003cstrong\u003efin février 2026\u003cbr\u003e(fourreau en fonction des stocks fournisseurs, FOURREAU NON CONTRACTUEL)\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish DTS HD-MA 2.0\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish SDH\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e :\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e86 min\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : \u003cspan\u003eBlu-ray\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ import US  \u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRegion Free\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Horreur\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn urban legend-based slasher from acclaimed filmmaker S. Torriano Berry, EMBALMER is one of the few 1990s independent horror movies that was made for Black audiences. The story follows Chiffon, a troubled teenager with a dark past, as she and her friends run afoul of Undertaker Zach—a mortician who killed his family and turned his funeral home into an H.H. Holmes-style murder castle. Shot on 16mm film with a small budget in Washington, D.C., EMBALMER utilizes a hip-hop soundtrack, sly humor, and slasher mechanics to tell a deeper story of abuse, trauma, and the never-ending cycle of coping with pain. AGFA is honored to bring this powerful chapter of overlooked '90s horror to Blu-ray for the first time ever.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eContenu et Bonus\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eRegion Free Blu-ray\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003ePreserved from the original 1” tape master\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eVideo introduction by director S. Torriano Berry\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eQ\u0026amp;A with Berry\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eArchival behind the scenes featurette\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eOriginal trailers\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEMBALMER: EARLY CUT, a previously unreleased version\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eShort films from Berry:\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\n\u003cul\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eIN THE HOLE (1984)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eDAY OF THE CROW'S CALL (1986)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEUPHRATES AWAKENING (1992)\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eBonus movie: THE BLACK BEYOND (1985-92), Berry's previously unreleased shot-on-video sci-fi\/horror anthology\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eTHE BLACK BEYOND news segment\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cspan data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}' data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;In the 1990s, Something Weird Video gifted humankind with HEY FOLKS! IT'S INTERMISSION TIME—a series of six magical VHS compilations that preserved vintage movie and drive-in ads. HEY FOLKS! IT'S THE INTERMISSION TIME VIDEO PARTY is a loving tribute to those cathode-tube-fueled days. Featuring HEY FOLKS! IT'S THE INTERMISSION TIME MIXTAPE! (an exclusive feature-length mixtape from the AGFA team) as well as all six volumes of the original, uncut Something Weird VHS releases from the 1990s, this 2-disc collection serves as a mind-altering time machine to a beloved era in home video history.\u0026quot;}\" data-sheets-root=\"1\"\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;If CLUELESS was zapped into a movie where Gen X icon Nicole Eggert (BAYWATCH) falls in love with a body-snatching extraterrestrial, it still wouldn't be enough to describe the mindwarping charm of AMANDA \u0026amp; THE ALIEN. Amanda (Eggert) is an artist who leads a quiet life. That is, until she falls in love with a hunky alien who can only survive by swapping human hosts every few days. This bizarro sci-fi comedy is an explosion of 1990s nostalgia, featuring navel rings, CGI morphing effects, an indie rock soundtrack from Jane Wiedlin of The Go-Gos and Sparks, and an unforgettable sex scene involving paprika. A smash hit when it premiered on Showtime in 1995, AMANDA \u0026amp; THE ALIEN has been newly restored from its original 35mm camera negative.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003e\u003cspan data-sheets-root=\"1\" data-sheets-value=\"{\u0026quot;1\u0026quot;:2,\u0026quot;2\u0026quot;:\u0026quot;Let's get w-i-i-ild! SUPER SOUL BROTHER AND THE FILMS OF RENE MARTINEZ, JR. collects the anti-dimensional filmography of enigmatic, Miami-based DIY filmmaker Martinez for the first time on home video. In SUPER SOUL BROTHER (1978), naive wino Steve (\\\u0026quot;Wildman\\\u0026quot; Steve Gallon, PETEY WHEATSTRAW) is injected with a serum that gives him superhuman strength, a catch phrase (\\\u0026quot;I'm w-i-i-ild!\\\u0026quot;), and a quest to battle the mad scientists and crooks who made it all possible. THE GUY FROM HARLEM (1977) finds gritty private investigator Al Connors (Loye Hawkins) locked in mortal combat with crime kingpin Big Daddy in an explosion of cocaine, kung-fu, and funk jams. Finally, ROAD OF DEATH (1973) follows local rockers the Joe Banana Band and friends (including Carol Conners and Jack Birch, future parents of Thora \\\u0026quot;GHOST WORLD\\\u0026quot; Birch) as they seek revenge against a biker gang for their hideous crimes—complete with a shocking climax that predicts the final scene in Quentin Tarantino's DEATH PROOF. Only in Florida.\u0026quot;}\" data-sheets-userformat='{\"2\":4993,\"3\":{\"1\":0},\"10\":2,\"11\":4,\"12\":0,\"15\":\"Arial\"}'\u003eEnglish SDH subtitles\u003c\/span\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53568221282644,"sku":"FILM","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/Captured_ecran2026-02-02a17.42.10.png?v=1770050676"},{"product_id":"folies-meurtrieres-vf","title":"Folies Meurtrières (VF)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eFolies Meurtrières (VF)\u003c\/strong\u003e (1977-2021)\u003cbr\u003ede\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eAntoine Pellissier\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eVinegar Syndrome - \u003cstrong\u003efin février 2026\u003cbr\u003e(fourreau en fonction des stocks fournisseurs, FOURREAU NON CONTRACTUEL)\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrench DTS-HD MA 2.0\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e :\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e592 min (combined)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : \u003cspan\u003eBlu-ray\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ import US  \u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRegion Free\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Horreur\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA window to the spectral world, the work of Antoine Pellissier—a physician by day and horror maestro by night—is the underground answer to Jean Rollin. FOLIES MEURTRIERES AND THE FILMS OF ANTOINE PELLISSIER is a 2-disc set that presents Pellissier's complete filmography for the first time on home video. From dreamlike slasher FOLIES MEURTRIERES to gore-soaked epic MALEFICIA, these handcrafted art-horrors from France are heavenly discoveries for discerning horrorheads. This set also includes the long-lost, uncut version of LES PROIES DU MAL (Pellissier's first feature) and DR. GORE, a feature-length documentary from Pauline Pallier.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eContenu et Bonus\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e2-Disc Region Free Blu-ray\u003c\/li\u003e\n\u003cli\u003eEnglish subtitles\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDisc 1: FOLIES MEURTRIERES \u0026amp; Early Films\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRestored from original Super 8 film elements\u003c\/li\u003e\n\u003cli\u003eIn French with optional English subtitles\u003c\/li\u003e\n\u003cli\u003eFOLIES MEURTRIERES (1984, 48 mins)\u003c\/li\u003e\n\u003cli\u003eELUE DES ENFERS (1985, 35 mins)\u003c\/li\u003e\n\u003cli\u003eLES PROIES DU MAL (1982, 147 mins)\u003c\/li\u003e\n\u003cli\u003eDU SANG SUR LA NEIGE (1981, 8 mins)\u003c\/li\u003e\n\u003cli\u003eLE VAMPIRE CONTRE ATTAQUE (1980, 16 mins)\u003c\/li\u003e\n\u003cli\u003eAU COMBLE DE L'HORREUR (1978, 16 mins)\u003c\/li\u003e\n\u003cli\u003eLE REFUGE DES MANDITS (1977, 35 mins)\u003c\/li\u003e\n\u003cli\u003eVideo introduction by Pellissier\u003c\/li\u003e\n\u003cli\u003eTHE DOCTOR IN SPITE OF HIMSELF: Archival featurette\u003c\/li\u003e\n\u003cli\u003ePhoto gallery\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eDisc 2: MALEFICIA \u0026amp; HORRIFICIA\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003ePreserved from original tape masters\u003c\/li\u003e\n\u003cli\u003eIn French with optional English subtitles\u003c\/li\u003e\n\u003cli\u003eMALEFICIA (1998, 102 mins)\u003c\/li\u003e\n\u003cli\u003eHORRIFICIA (2021, 110 mins)\u003c\/li\u003e\n\u003cli\u003eDR. 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Ziemba\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53568306479444,"sku":"FILM","price":32.0,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/Captured_ecran2026-02-02a17.46.39.png?v=1770050949"},{"product_id":"high-school-memories","title":"High School Memories","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eHigh School Memories\u003c\/strong\u003e (1980)\u003cbr\u003ede\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eAnthony Spinelli\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eVinegar Syndrome - \u003cstrong\u003efin février 2026\u003cbr\u003e(fourreau en fonction des stocks fournisseurs, FOURREAU NON CONTRACTUEL)\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish DTS-HD MA 1.0\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish SDH\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e :\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e78 min\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : \u003cspan\u003eBlu-ray\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\/ import US  \u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRegion Free\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Erotique\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eHigh school: a storied time of innocence, awakening, exploring one’s self, and the  budding of desires. After years of not seeing each other, a group of teachers and  students catch up at their ten year reunion. There, long-forgotten memories bubble up to the surface, reigniting buried passions which could never before be fulfilled. As the now older and wiser group reminisce about the times that were, they start to realize that  certain yearnings of the past will now be inescapable. The first theatrical feature film produced and distributed by pioneering hardcore video distributor VCX, famed director Anthony Spinelli’s (SexWorld, Nothing to Hide) breezy and nostalgic look at teenage lust, HIGH SCHOOL MEMORIES, offers a cast of erotic film veterans in some of their most sensual performances, including Annette Haven (Tapestry of Passion), Jamie Gillis (Dracula Sucks), Dorothy LeMay (Tropic of Desire) and John Leslie (Baby Rosemary), amongst many others. 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When her dream miraculously comes true and she’s accepted to the squad, there’s one big problem: she has no money to travel to Texas. Fearing that she might miss out on her life’s ambition, Debbie and her friends decide that the only way to get a lot of money fast is to get to work. What better fundraising tool is at their disposal but their own delectable young bodies? One of the most successful hardcore feature films ever made, and also one of the most controversial, director Jim Clark’s legendary DEBBIE DOES DALLAS became an instant hit upon its release, thanks in part to its fresh-faced starlet Bambi Woods as Debbie. Supported by a cast including TV star Robyn Byrd (Hot Honey), Eric Edwards (The Fireworks Woman), and Richard Bolla (Babylon Pink) in one of his most iconic roles. VCX is delighted to present this quintessential cult film on Blu-ray, newly  restored in 4K from its original camera negative and filled with vibrant extra features.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eContenu et Bonus\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eRegion Free Blu-ray\u003c\/li\u003e\n\u003cli\u003e4k scan and restoration from the original 35mm camera negative\u003c\/li\u003e\n\u003cli\u003eAudio commentary with Phillip Bernstene\u003c\/li\u003e\n\u003cli\u003eAudio commentary with actress Robin Byrd\u003c\/li\u003e\n\u003cli\u003eAudio interview with Richard Bolla and April Hall and Ashley West of The Rialto Report\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003c\/li\u003e\n\u003cli\u003eVHS promo trailer\u003c\/li\u003e\n\u003cli\u003eArchival image gallery\u003c\/li\u003e\n\u003cli\u003eVideo interview with Robin Byrd\u003c\/li\u003e\n\u003cli\u003e11x17 replica one-sheet\u003c\/li\u003e\n\u003cli\u003e36 page booklet with essays by film historians Peter Alilunas and Shawn D. Langrick\u003c\/li\u003e\n\u003cli\u003eReversible cover artwork\u003c\/li\u003e\n\u003cli\u003eEnglish SDH subtitles\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53568433062228,"sku":"FILM","price":35.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/Captured_ecran2026-02-02a17.52.52.png?v=1770051282"},{"product_id":"pink-narcissus","title":"Pink Narcissus","description":"\u003cp\u003e\u003cstrong\u003ePink Narcissus\u003c\/strong\u003e (1971)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003ede James Bidgood\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eStrand Releasing - \u003cstrong\u003e24 février 2026\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e :\u003cspan\u003e English SDH\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e : 1h05\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : \u003cspan\u003eBlu-ray\u003c\/span\u003e \/ import US\u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : \u003cspan\u003eA\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Erotique, Fantasy\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAn erotic poem set in the fantasies of a young male prostitute.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53636260987220,"sku":"FILM","price":32.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/405014_front.jpg?v=1770225619"},{"product_id":"ghostkeeper","title":"Ghostkeeper","description":"\u003cp\u003e\u003cstrong\u003eGhostkeeper\u003c\/strong\u003e (1981)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003ede Jim Makichuk\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eCanadian International Pictures - \u003cstrong\u003e24 février 2026\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e :\u003cspan\u003e English SDH\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e : 1h27\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : \u003cspan\u003eBlu-ray\u003c\/span\u003e \/ import US\u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : \u003cspan\u003eA\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Horreur, Thriller\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA group of three friends on a snowmobiling trip find themselves stranded at an abandoned lodge isolated in the mountains. They discover that an old woman resides in the hotel, along with an evil entity that she is keeping in the basement.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53636323443028,"sku":"FILM","price":30.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/403907_front.jpg?v=1770225781"},{"product_id":"the-birthday-limited-edition","title":"The Birthday Limited Edition","description":"\u003cp\u003e\u003cstrong\u003eThe Birthday Limited Edition \u003c\/strong\u003e(2004)\u003cbr\u003e\u003cstrong\u003e\u003c\/strong\u003ede Eugenio Mira\u003cbr\u003e\u003cbr\u003eArrow - \u003cstrong\u003e16 mars 2026\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish: DTS-HD Master Audio 5.1 (48kHz, 24-bit)\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSous-Titres \u003c\/strong\u003e: \u003cspan\u003eEnglish SDH\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e : 2h\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan class=\"subheadingtitle\"\u003eLimited Edition \/ Blu-ray\u003c\/span\u003e\u003cspan\u003e \/\u003c\/span\u003e\u003cspan\u003e import UK \u003cbr\u003e\u003c\/span\u003e\u003cstrong\u003eZone : \u003c\/strong\u003eB\u003cstrong\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Horreur, Comédie, SF\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eNorman Forester is going to meet his girlfriend's family at her father's birthday party. But a night of promise leads to disaster when Norman uncovers an ancient evil that might bring about the end of the world.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003eContenu\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLIMITED EDITION CONTENTS\u003c\/li\u003e\n\u003cli\u003e4K restoration from the original negative\u003c\/li\u003e\n\u003cli\u003eHigh Definition Blu-ray (1080p) presentation\u003c\/li\u003e\n\u003cli\u003eOriginal DTS-HD MA 5.1 surround audio\u003c\/li\u003e\n\u003cli\u003eOptional English subtitles for the deaf and hard of hearing\u003c\/li\u003e\n\u003cli\u003eAudio commentary by actor Corey Feldman and co-writer\/director Eugenio Mira\u003c\/li\u003e\n\u003cli\u003eThe Shape of a Miracle, a brand new interview with Mira, shot exclusively for this release\u003c\/li\u003e\n\u003cli\u003ePathology, an in-depth breakdown of a scene from the film by Mira, featuring archival behind-the-scenes footage, storyboards and rushes\u003c\/li\u003e\n\u003cli\u003e2024 Q\u0026amp;A with Feldman and Mira from the film’s 20th anniversary screening at Fantastic Fest in Austin, Texas\u003c\/li\u003e\n\u003cli\u003eOriginal trailer\u003c\/li\u003e\n\u003cli\u003e20th anniversary trailer\u003c\/li\u003e\n\u003cli\u003eImage gallery\u003c\/li\u003e\n\u003cli\u003eReversible sleeve featuring two original artwork options\u003c\/li\u003e\n\u003cli\u003eCollectors’ booklet featuring new writing on the film by Bryan Reesman\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53694585045332,"sku":"FILM","price":23.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/403198_slip.jpg?v=1770596359"},{"product_id":"the-devils-hand","title":"The Devil's Hand (VF)","description":"\u003cp\u003e\u003cstrong\u003eThe Devil's Hand\u003c\/strong\u003e (1943)\u003cbr\u003ede Maurice Tourneru\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eEureka Entertainment -\u003cstrong\u003e 16 mars 2026\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003e(Edition limitée en fonction des stocks disponibles, ensuite arrive une version simple, non contractuel après la période de précommande)\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : French\u003cbr\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e : 1h21\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : Blu ray \/ Import UK \u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : B\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Horreur, Fantasy\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRoland Brissot bought for a nickel a talisman that gives him love, fame and wealth. 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They intend to stop at nothing until their adversary is dead, but theirs will not be an easy task. For the General not only has the protection of the Imperial army, but also an elite group of bodyguards armed with whips and sworn to protect their leader at any cost.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-review-comment\"\u003e\n\u003cstrong\u003e\u003cstrong\u003eContenu et Bonus\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cb\u003e\u003c\/b\u003e\n\u003cul data-sku=\"EKA70616\" data-display=\"true\"\u003e\n\u003cli\u003e1080p HD presentation from a new 2K restoration\u003c\/li\u003e\n\u003cli\u003eOriginal Mandarin mono audio\u003c\/li\u003e\n\u003cli\u003eOptional English subtitles, newly translated for this release\u003c\/li\u003e\n\u003cli\u003eNew audio commentary by East Asian cinema expert Frank Djeng (NY Asian Film Festival)\u003c\/li\u003e\n\u003cli\u003eWhip Smart – new appreciation of The Invincible Eight by Wayne Wong, author of Martial Arts Ecology\u003c\/li\u003e\n\u003cli\u003eOriginal theatrical trailer\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53694620631380,"sku":"FILM","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/404232_front.jpg?v=1770597127"},{"product_id":"shango","title":"Shango","description":"\u003cp\u003e\u003cstrong\u003eShango\u003c\/strong\u003e (1970)\u003cbr\u003ede Edoardo Mulargia\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e88 Films -\u003cstrong\u003e \u003cmeta charset=\"utf-8\"\u003e16 mars 2026\u003cbr\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cspan style=\"color: rgb(255, 42, 0);\"\u003eATTENTION l'édition limitée s'épuise généralement très vite, ensuite arrive la version simple, nous vous conseillons de précommander (édition limitée NON CONTRACTUELLE après la période de précommande.\u003c\/span\u003e\u003cbr\u003e\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2.0 English Dual Mono\/2.0 Italian Dual Mono\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-sheets-root=\"1\"\u003e1h27\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : \u003cspan\u003eBlu-ray\u003c\/span\u003e \/ Import UK\u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : \u003cspan\u003eB\u003c\/span\u003e\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Western\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003cbr\u003e\u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe Civil War is over but a maniac Major, played by Fajardo, intends to keep his troops and townsfolk in the dark to maintain his power over the area. Ranger Shango is captured by the Major and framed for the murder of the local telegraph operator, the only person capable of receiving the news that the war has ended. However, Shango escapes, determined to bring down the insane Major and end the abuse of the townsfolk.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"product-review-comment\"\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eContenu et Bonus\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\n\u003cul\u003e\n\u003cli\u003eNew 4K Transfer from the Original Negative in 2.35:1 Aspect Ratio\u003c\/li\u003e\n\u003cli\u003eBlu-ray HD (1080p) Presentation\u003c\/li\u003e\n\u003cli\u003e2.0 English Dual Mono \u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003e2.0 Italian Dual Mono with English Subtitles\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with Author and Academic Lee Broughton\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eAudio Commentary with Italian Cinema Experts Eugenio Ercolani and Troy Howarth\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eThe Career of Edgar G. - An Interview with Eugenio Ercolani\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eSon of a Gun - An Interview with Manuel De Teffé\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eReverse sleeve featuring art by Joel Robinson\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Metaluna Store","offers":[{"title":"Default Title","offer_id":53694713004372,"sku":"FILM","price":25.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0537\/7366\/4446\/files\/401628_slip.jpg?v=1770598419"},{"product_id":"humphrey-bogart-4-film-collection-4-films","title":"Humphrey Bogart 4-Film Collection (4 films)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eHumphrey Bogart 4-Film Collection (4 films)\u003c\/strong\u003e (1940-1950)\u003cbr\u003ede Various\u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003eWarner Bros (Warner Archive) - \u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e17 février 2026\u003c\/strong\u003e\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eTitre Original \u003c\/strong\u003e: \u003cstrong\u003e\u003cbr\u003eAudio\u003c\/strong\u003e : \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eEnglish: DTS-HD Master Audio 2.0 Mono (48kHz, 24-bit)\u003c\/span\u003e\u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003cstrong\u003eSous-titres\u003c\/strong\u003e :\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003eEnglish SDH\u003c\/span\u003e\u003cbr\u003e\u003cspan\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003cstrong\u003eDurée\u003c\/strong\u003e : 6h25\u003cbr\u003e\u003cstrong\u003eFormat\u003c\/strong\u003e : Blu-ray - 4 films \/ import US\u003cbr\u003e\u003cstrong\u003eZone\u003c\/strong\u003e : Toutes zones\u003cbr\u003e\u003cstrong\u003eGenre\u003c\/strong\u003e : Film Noir, Romance, Guerre\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSynopsis\u003c\/strong\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThere was only one BOGART. Perhaps Warner Bros.’ most famous leading man during Hollywood’s golden age, Humphrey Bogart’s star shines bright in four classic dramas from the 1940s. Bogie shares the screen with George Raft, Ann Sheridan and Ida Lupino in THEY DRIVE BY NIGHT, while Bogie takes on the Nazis under the direction of Michael Curtiz in PASSAGE TO MARSEILLE. 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